Something to Inspire

Theatre Notes offers Daniel Keene's 2006 Rex Cramphorn Memorial Lecture.

I am chiefly interested in the kind of theatre that embraces change and is a reminder of our mortality; theatre that does not confirm power, but rather admits fragility, acknowledges failure, that recognizes tragedy and is disrespectful enough to create comedy. That’s the theatre that I keep imagining and that I write for. I write for it in order to create it. A playwright must do this; the play that he or she writes is always a new proposal for the theatre. It is an imaginative act that suggests something beyond the play itself and contains the possibility for new forms of theatre. It does this because the content of a play demands the clearest expression possible. This clarity is necessary because of the nature of the theatre event itself: it is ephemeral. It happens before our eyes and then it is gone. The performance of a play must present its comedy, its tragedy, its life, in the time during which it is created on stage in front of the audience. It can do nothing else. Each time it does this, it is particular, it is unique; in this it is theatre created anew, and within that fact lies the possibility of a new kind of theatre.

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