Paul Gross discusses playing the soliloquies in Hamlet. I've been thinking a lot lately about the rhetorical strategies of soliloquies and monologues. Put plainly: what is it doing? And why? More interestingly, what performance opportunities are to be had and exploited?
On the lighter side of things, I saw part of Hamlet 2 with Steve Coogan. Oh late night, wacky fun. Unfortunately I can't find the complete version of this song.
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