I’m Not There says, among other things, that the presence of politics in works of art, like the presence of the artist’s personality, is at once unavoidable and virtually inexpressible. The audacity, beauty, and complexity of Haynes’s ironic celebration-and-critique are, quite literally, unlike anything you’ve ever seen before. Incidentally, the music’s cool, too.
It’s a strange business,” says French philosopher Gilles Deleuze, “speaking for yourself, in your own name, because it doesn’t at all come with seeing yourself as an ego or a person or a subject. Individuals find a real name for themselves, rather, only through the harshest exercise in depersonalization, by opening themselves up to the multiplicities everywhere within them, to the intensities running through them . . . It’s depersonalization through love rather than subjection . . . We have to counter people who think ‘I’m this, I’m that’ . . . by thinking in strange, fluid unusual terms . . . Arguments from one’s own privileged experience are bad and reactionary arguments.” (More here.)
Sunday, September 23, 2007
Dylan: Je est un autre.
From a Film Comment article on Todd Hayne's new Dylan film.
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